Background reading · The Arts
Inside a track: beat, bass, chords and hook
The four jobs that layers do in most modern music, and the words producers use when they build a track on a computer.
Put on almost any song and it can sound like one big sound. It isn't. A track is a stack of layers, and each layer has a job. Producers (people who build and shape recorded music) think about those jobs all the time.
The four jobs
Texture: how many layers at once
Texture means how thick or thin the music sounds. A track often starts with only one or two layers (thin), adds more in the build, and hits the biggest moment with everything playing (thick). Taking layers away is just as powerful as adding them: a sudden drop to one sound makes listeners lean in.
Words producers use
Built on a laptop
Recording music used to need an expensive studio. From the 1990s, the cost of recording dropped so much that young musicians could make quality tracks without a big record label. Today, producers in Auckland, Wellington or a small town can make music that is heard around the world, starting with the same tools you can open in a browser.
Listen like a producer
Next time you hear a song, ask: what is the beat doing? Where is the bass? When do the chords change? What is the hook? Then use the same questions to build your own.
Sources and further reading
- Learning Music (Ableton) ↗
- Popular music: the rise of New Zealand music, 1990s to 2000s (Te Ara) ↗
- Digital audio workstation (Wikipedia) ↗
Written for Kōkiri Learn students in our own words. Check facts against the sources.