Background reading · The Arts
Light and sound: designing the world of the play
How lighting and sound designers create mood, show time and place, and guide the audience's attention, and how to do it safely at school.
Close your eyes in a theatre and you still know a lot about the play from the sound. Open them in the dark and you see only what the lighting designer chooses. Light and sound are not decoration: they tell the audience where to look, what time it is, and how to feel.
What light can do
Mixing coloured light
Coloured light doesn't mix like paint. Red, green and blue light mixed together make white. A coloured filter (called a gel) lets through only some colours of light. That is why a blue gel makes a red costume look almost black.
What sound can do
Cues and cue sheets
A cue is a planned change in light or sound. The cue sheet lists each one: its number, the exact moment on stage it happens, and what changes. In a theatre, the stage manager calls 'Standby cue 5… cue 5 go', and the operators press the button.
Designers in Aotearoa
From the 1980s, specialist lighting designers began working in New Zealand theatres. Jeremy Collins, who designed lighting for many plays, operas and musicals, later built up Selecon, a New Zealand company that made stage lights used around the world.
At school, keep it safe: use LED torches and lamps, which stay cool. Never put cellophane on hot bulbs, tape down cables, and leave ladders and hanging lights to adults.
Sources and further reading
- Theatre design: costume, lighting and sound design (Te Ara) ↗
- Colours of light (Science Learning Hub) ↗
- Stage lighting (Wikipedia) ↗
- Sound effect (Wikipedia) ↗
Written for Kōkiri Learn students in our own words. Check facts against the sources.
Used in: Stage It: Drama and Devised Theatre