Kōkiri Learn

Background reading · The Arts

Animators to know, from Aotearoa and the world

New Zealand animation pioneers Len Lye and Fred O'Neill, the stop-motion sheep of The Pen, and animators overseas whose ideas you can borrow.

Animation needs patience, imagination and a willingness to try things nobody has tried before. These animators all found their own way of making things move.

Len Lye (1901–1980)

Len Lye was born in Christchurch and spent much of his life in London and New York. He was a pioneer of direct animation: instead of photographing drawings, he painted, drew and scratched straight onto the strip of film. His early film Tusalava (1929) took about 4,400 drawings for a film nine minutes long. Later films, set to jazz and drumming, are bursts of dancing lines and colour. The Len Lye Centre in New Plymouth shows his films and moving sculptures.

Fred O'Neill

In the 1950s, Fred O'Neill, from Dunedin, used money from his electroplating business to animate creatures made of plasticine. The government's National Film Unit noticed and funded short films, including Space Flight (1962), a plasticine space adventure made for the Health Department to encourage children not to smoke. A single early film took about a hundred hours of patient work.

The Pen

The Pen (2001) is a series of short stop-motion films about two sheep having deadpan conversations in their paddock. It was made by stop-motion animator Guy Capper with Jemaine Clement, and later appeared on television. It shows that a simple set and two characters can be very funny.

Around the world

  • Lotte Reiniger in Germany made The Adventures of Prince Achmed (1926) with cut-out paper silhouettes. It is the oldest surviving animated feature film. - Ray Harryhausen in the United States animated models of skeletons and monsters for adventure films. - Aardman Animations in England made Wallace and Gromit, directed by Nick Park, using clay figures moved millimetres at a time.
  • Borrowing ideas

    You can borrow an animator's technique (silhouettes, scratching, clay) without copying their characters. Invent your own characters and stories, and credit the people whose work inspired you.

    Sources and further reading

    Written for Kōkiri Learn students in our own words. Check facts against the sources.

    Used in: Stop Motion Studio: Animation